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It’s not for storing sounds or adding sparkle to the tone though – it controls the intensity of lights! This is the right-hand pedal, with all controls at 12 o’ clock:. All of these tones point to one man: It’s a harsher sound than channel one and with drive on full it has a more cutting rasp to the top-end. Image 1 of 2 Each channel has drive, tone and level controls.
Tonally it’s vaguely similar to an Ibanez TS9 Tube Screamer but has nowhere near the same presence or aggression an original TS9 has at its disposal. Here are a series of sound clips that show how the pedal pushes an amp that’s set on the edge of break-up. A twin-stomper that’s had Jem forum-junkies clamouring for details jmini since it was spotted at ‘s NAMM showone glance at the finish and signature reveals it to be the first Ibanez Steve Vai signature stompbox.
Only pages in English are the cover and pages 3 and 4. It’s been rumoured that Ibanez designed the Jemini to replace two of Vai’s favourite pedals: Yet again with the tone rolled off the pedal gets dark very quickly, although with that the low end gets softer and more spongy in response.
This pedal is almost exclusively designed for Vai’s fans, guys who have the guitars, the amps and other ibanex associated with the man in question, or at the very least those who are beginning to get jsmini the Vai sound. You quickly notice a distinct difference between the two channels: Pros That outlandish finish. The drive control isn’t particularly interactive either as it seems to go from minimal drive and output to a slightly more satisfying grainy, heavy overdrive. Channel two is a more face-melting and hair-raising affair.
Let us know how your experience went at the Sacramento show. Image 2 of 2 The swirling colours can mean only one thing: Each channel has a trio of identical controls in the shape of independent drive, tone and level pots.
The finish is designed along the same visual lines as Vai’s signature UV Jem guitars. Green Channel — Drive: I recently bought a couple Ibanfz Electronic pedals.
I finally got around to buying the Jemini distortion pedal. With multicoloured swirls on the diecast zinc casing you are unlikely to trip over it onstage.
I will finally get to see Steve live in Sacramento CA next month. Can change em on the fly in seconds. For example, bright consumes 49mA current, which basically makes the circular LEDs very bright for, well, bright gigging conditions. Dave Weiners tone prints for each of those are way cool. Shrouded in mystery, the highly anticipated, limited-run Jemini Distortion pedal has arrived.
My manual is in multiple languages as well. Me my two sons and some friends have secured tickets to the St.
I tried online, there was a PDF in multiple languages requiring a weird download which carried a virus. The card that came with it noted his main settings as being this: Save reduces the current to 23mA for darker stages, and saves battery power in so doing. Tried Ibanez two-weeks ago, and jemkni no reply. To remedy the lack of cut and high-end, the tone control now steps in: This channel, as with the first, finds its home or ‘sweet spot’ with plenty of gain from the drive control and with the tone pushed for optimum presence and attack manal this is where fans of Vai’s signature lead tone will have the most fun.
However, with the drive control maxed out it’s not as defined as you might expect. The Jemini has two very similarly voiced channels: Check em out if you happen to have those pedals too. Anyone out there know where I might find one? Its limited run appeal should not cloud its potential as it’s a very cool looking and sounding dual-channel distortion pedal that, while it takes up lbanez fair bit of real estate on your board, may save on the cabling nonsense between two single stompers of the same creed.
Cons Slight lack of character on the overdrive channel. This is the right-hand pedal with the volume and tone at 12 o’ clock and the drive at 3 o’ clock:. Jemini Distortion Manual The name says it all! Discuss Steve’s studios, your studios and gear set-ups, amps and effects here.
This is not for discussing guitars Steve’s or otherwise. Somewhat surprisingly, this seems to be great for a no-frills manuap sound where a super defined drive tone is not the order of the day; just a big muddy note-texturing overdrive that works for thrashing out barre chords. Got to love technology these days. Came without a manual.